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An all-round fine artist @allseasonsartstudio I subscribe to an independent approach in art and manage an informal studio practice providing commercially styled artwork. Daniel Martin Fisher There is nothing to hide and nothing to fear in places which have a solemnity and dignity all of their own. When I find sanguinity within solitude, it can help me have a better view of life, because in understanding how people behave, I learn why openness and honesty does matter. Here my products embody the progress of art industry principles in good craftsmanship and sound public relations. Hello and Welcome To my inspiration of the moment. My choice since the age of Seventeen to fully nurture my creative side has made me very inquisitive about life. As I project my feelings onto canvas I gain peace in the portrayal of nature by taking visual inspiration and turning it into presentation. I feel inspired by the here and now to find new avenues everywhere to expand into and express that rich variety of the world that adds depth and colour to life. In art, I see many people as a part of and at one with the world in many ways, a power of art that is often expressed. When I wonder what the lure of art is for me I begin to ponder on what prompts others to paint the way they do, and furnished with many reasons to muse I begin to open my mind to greater possibilities that live normally out of reach but within the realm of imagination. I can honestly say that my work has blossomed because of my view of humanity, as I try to impart to the viewer my joy and satisfaction with the world. Express Yourself! A Bit About............ @allseasonsartstudio Let me introduce myself as an artist with 20+ years of experience in artistic roles, I’m very capable in the art field and run an art studio to not only improve myself but the world around me and have worked with some of the most organised and dedicated of people, who have all been seasoned professionals in their own chosen field of endeavour. As such, my culture has the same fire and ice as my country is made of because these elements exist up and down my community, gender, age, or ethnicity don't matter, as good achievements lye in most quarters of my county. Living in a broad and diverse region of Scotland where there are a wide range of people's views, has as such influenced my current way of life. I wouldn’t have as level a playing field without the passion that takes place. This I have learned through trial and error and will continue to personally grow, assist, and encourage a more authentic approach to Arts & Humanities. ➢ Highly Computer Literate. ➢ Competent in Reporting and Presentations. ➢ Basic Experience in Financial Record Keeping. ➢ Know how to Organise a Studio Environment. ➢ Can Address Issues of Community and Collaboration. ➢ Accrued 25+ years of Artistic Insight. ➢ Versed in Academic Culture. ➢ Many Successful Projects to my Name. ➢ Working Experience within a Team Setting. ©Daniel Fisher HISTORY: Individual working as a valued contributor Online | 2022 to Present | I advocate broad and relevant consumer expectations in life. Student | 2022 to Present | Short Courses: 1 x General Data Protection Regulation, 1 x Data Protection and the UK GDPR, 1 x Safeguarding in School Settings, 1 x Safeguarding in Out of School Settings, eModules: 1 x Information Security Awareness, 1 x Gender Based Violence, Creative based in Ellon but working in a regional setting | 2012 to 2023 | Studying and Learning my craft gave me a wide array of skills by exploring different artistic disciplines. Charity Volunteer for Mental Health Aberdeen (MHA) within the local community | 2007 to 2017 | demonstarting Care and Maintenance taught me how to work with a broad range of personality types. Artworker with an online presence at www.twenty-four-seven.org | 2007 to 2023 | acquired HTML Coding and knowledge of Web Content in the use of publicly accessible services. Open Exhibitor in the gig economy throughout Scotland | 2002 to 2021 | practicing Drawing and Painting give me working experience of social politics. Family Guardian within the homestead setting | 2001 onwards | work includes being a guide and companion to my elderly mother Annette. Skilled Worker in the labor sector with Various Agencies | 1999 to 2006 | aside from exploring personal projects in Fashioning and Crafting goods, all of which left me with a strong work ethic. Local Favourite with a strong Family Heritage | 1991 to 2021 | The role meant being the disadvantaged communities best choice of emotional help and support. ©Mr Daniel M. Fisher PROFILE: Do you feel like you’re interested in Art? Do you have many questions about writing? Are there any specific points about life you want to explore, then by all means contact me, and make a connection. As to achieve now, is to know when to ask for help and not give up when things get difficult. People who can ask for feedback and advice are the best of all. I love being Enterprising by nature and use my initiative to identify different and better ways of doing things, often by understanding the bigger picture I am willing to take some risks to achieve better results. I think about how I can develop and learn new ways of getting ideas off the ground, as everything has a place and an order. By helping others with their work, to exceed their expectations, I put a lot of effort and energy into the extra hours and can be capable of working longer than most other artists. In my willingness and drive to take part and contribute, I have a positive 'can do' approach and like to make things happen. Often in group activities I contribute to achieving goals and develop this strength by using it in my everyday life to help others feel good about themselves. Inspiration enables me to share my observations with the world at large either in oils, or often applying watercolours to my smaller studies in pens and pencils. By taking visual inspiration and turning it into presentation, Painting and Drawing becomes a testimony to my love of art, with Writing as a staple of my years in training, and not forgetting my penchant for Creative Design as a tool for retail and commerce. Creativity has become my life, and life is what you make it, hence I have chosen to practice good customer service. I've made many products in academia, sewing, collage, jewelry, books, models, sculpture, ceramics, photography, graphic design, and web design. But nothing quite compares with my first love of showcasing my painting and drawing skills, and by utilizing the online arena I also have a duty to act fairly and in accordance with my Code of Ethics, where I promise to: Honour the interests of my customers. Use clear and concise language as standard. Treat my customers' complaints with respect. Maintain required insurances where appropriate. Honour my own, my business partners, and my clients, good standing. In a work situation where honesty is likely to mean success for the customer, I naturally put myself in other people’s shoes to understand and identify the who, what, where, how, and why of life to help build my knowledge of business and commerce. But to aid the development of new ideas and solve problems, I neither pigeonhole, stereotype, nor typecast, and instead challenge assumptions with confidence and understanding because, in aiming high and exploring new ways of doing things I cannot help but produce new and original ideas. Hence, I am an all-round artist providing commercially styled drawings and paintings from the Scottish School and subscribe to an independent approach in art by managing my studio practice. This is because I take pride in everything I do and focus on delivering quality work that is of the highest standard in life, which is very much a case of enjoying the process of taking part in life. I like to listen, persuade, and negotiate, in respect for the role of each person. People come into different shapes and sizes, and to improve social skills I watch the people who do best in a team to explore what I can learn from them. I assert confidence in problem solving and lateral thinking as the reason why I endorse the practice of creative collaboration. Aiming high in life I assume that the presence or interests of my partners and colleagues can have a positive influence. Where mutual recognition and respect can be shared, I encourage the discussion of a commission and can negotiate between like minds with the aim of achieving a clear vision and decisive pathway forward. A very moral by nature with strong ethics and I know the difference between right and wrong when it comes to looking at the facts of a situation because I look for the cause. As such I tend to explore viable solutions before acting in the way I believe is right, with my decisions and actions always guided by my ethics and values. My principles are important to me, and I love to write about them. Whether I’m updating my status online or creating articles I enjoy the experience, by finding ways to communicate with others that naturally personify life's arena. Believing in open and honest communication and having a positive attitude, I naturally embody everything I do. By engaging with the public in a project, I can produce and deliver work, exhibitions, or products for the client, and hold the ability to liaise on the progress and direction of a commission. Thus by keeping the organization - and - community informed I can contribute content from my portfolio and help build trust. My Code of Practice unpacks my commissioning and delivery process for my engagement in the arts, as we all need clear and effective information to guide and help us foster connections, not just creatively but responsibly. ®All Seasons Art Studio contains a variety of art aimed at providing many of the answers to life's conundrums. If you the client wish to query this, then contact [dan@allseasonsartstudio.org ] stating your precise request. I retain all rights to the ®All Seasons Art Studio, ®D.M. Fisher. ®Mr Daniel M. Fisher and ®Daniel Fisher trademarks under UK laws. At no point shall any of my work be reproduced or copied by a third party or organization without either attribution and/or prior consensual agreement. I am and shall remain the sole legal representative of my estate, where copyright ownership rests and reserve the right to refuse sale or publication of my goods and services at any time. Members Invite @allseasonsartstudio Join me on mobile! Download the Spaces by Wix app and join “@allseasonsartstudio” to easily stay updated on the go.............. Send Country +972 Phone number ©Resume To come.............. Contact Details Strictly for business purposes only as these details are for reference VCF vCard File Teams Chat Network meetings and collaboration space https://teams.live.com/meet/9327049159773?p=pWWyW6FAjrz3NuTdsZ Google Reviews A perfect medium for making your voice heard and thoughts known to a dinosaur like me https://g.page/r/CVq6m7f34uhzEBM/review Link-in Bio Affiliate Marketing Platform bio.allseasonsartstudio.org Skype My Skype channel is a great way for you to propose a partnership https://join.skype.com/invite/NjsoSF7k46Bc Google Chat Network meetings and collaboration space https://chat.google.com/room/AAAAecBrGwk?cls=7 Zoom One way to make an introduction in life is to state your expectations and zoom is an excellent platform for that https://us05web.zoom.us/launch/chat?src=direct_chat_link&email=dan%40allseasonsartstudio.org Give Your Feedback I'd love to hear what you thought First name * Last name * Email * Rated? * Don’t love it Not great Good Great Love it What did you like best? How can I improve? Send Feedback Thanks for sharing your feedback with me!

An all-round professional I subscribe to the arts & humanities approach and manage an informal studio practice in commercially styled artwork. Oops, looks like this is the wrong path. Check the URL, or go back to the homepage and try again. Back to Homepage

Legal Policy detailing the rights and positions all relevant parties have in relation to the promotion, exhibition, and sale of the property, as owned by Mr Daniel Martin Fisher of All Seasons Art Studio.

Be your own boss Who is it that can turn a genuine request for help into a challenging time in their life because the experiences we carry as human beings are not the ties that bind, but bonds that make us who we are to the world. Bonds are a matter of your own integrity and can range from a set of your own possibilities that lie dormant, to expectations that we all see as different to the way they are presented. Because we acquire meaning through our bonds in life, this can speak volumes about us, because we are never fully able to comprehend the nature of our own experiences until a fixed sense of perspective is formed. This is because you cannot live as nothing or in nothingness and be growing as a person, so work with only who and what you know in life, as the world can be full of wonder - if you let it. Daniel Fisher

The sky is the limit - reach for the stars! No bird soars too high if he soars on his own wings! If you can keep your head when all about you, Are losing theirs and blaming it on you; If you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or, being lied about, don't deal in lies, Or, being hated, don't give way to hating, And yet don't look too good, nor talk too wise; If you can dream - and not make dreams your master; If you can think - and not make thoughts your aim; If you can meet with triumph and disaster, And treat those two imposters just the same; If you can bear to hear the truth you've spoken, Twisted by knaves to make a trap for fools, Or watch the things you gave your life to broken, And stoop and build 'em up with worn out tools; If you can make one heap of all your winnings, And risk it on one turn of pitch-and-toss, And lose, and start again at your beginnings , And never breath a word about your loss; If you can force your heart and nerve and sinew, To serve your turn long after they are gone, And so hold on when there is nothing in you Except the Will which says to them: "Hold on"; If you can talk with crowds and keep your virtue, Or walk with kings - nor lose the common touch; If neither foes nor loving friends can hurt you; If all men count with you, but none too much; If you can fill the unforgiving minute, With sixty seconds' worth of distance run - Yours is the Earth and everything that's in it, And - which is more - you'll be a Man my son! Rudyard Kipling Be an honourable man.

The skill of not giving a damn. This is not a set of rules, manifesto, or a follow-or-be-damned guide to review writing this is what I now believe, with other writers and editors this may be right, but there are times when I disagree with or ignore some of this too.   Once, I had the idea I’m not really interested in what others think, say, or do, I just wanted to write about what I see, of course, I became horrified by the instruction to just narrate what happens because I wanted to share my opinions not just report boring old facts. And yet over 20 years later this conversation still rankles, but it also contains a crucial point… Describe what you witness.   A review needs to place the reader at the exhibition / performance / event that is being written about, and to do this you need to describe and/or explain what is in front of you, what it looks like, what it is made of, and what it does, ultimately you need to say what you see and say it clearly.   While as writers we may love the sound of our own opinions, be excited by our clever observations and dazzling turn of phrase, this all accounts for zero if we haven’t provided the reader with some context first. As a reviewer you need to place the reader where you have been because you are their eyes and ears, so a review isn’t about a description as expressing an opinion is what makes it a review, rather than an impartial report.   Description is fine, but description on its own is not enough. After all, you have something to say, views that need to be expressed. You want to say why an exhibition works so well or why it doesn’t; you want to provide some critical insight. You have an opinion, don’t you?   Even if you are an artist yourself, if you are writing a review then you are also a critic. So, tell the reader what you think and why you think it. Support your opinion with facts and description. Weave the two together, create a piece of writing, make it ‘seamless. And to support your thinking, do not just rely on the information you get from the exhibition.   Make sure you… Do your research as a review, particularly one of any length, is not just about what you’ve witnessed at a specific exhibition. The art you are writing about has a relationship with many things that exist beyond the gallery space, from the social and political to the personal and historic. And while you do not need to be an expert to express an opinion, you do need to know your subject, so you should, then, always find out more and not simply rely on what you have gleaned from the work in front of you.   This information will help provide you with a context and broader understanding of what you are writing about. It is supporting material for your descriptions and opinions, and it may also help to give you the confidence to be clear and forthright in what you want to say. Because when it comes to writing a review, there is no bliss in ignorance, and trust me when I say I speak with the voice of experience.   The beginning   How to start, to get going, to hook the reader in? If you struggle, then do not sit there staring at a blank screen – Write Something! It doesn’t really matter at this stage if it isn't a good beginning – getting something down can help kick-start the process of writing, and you can always press delete when you start editing.   The middle   Well, it’s the hardest bit, isn’t it? All that description, all those opinions, all that self-editing to get your overlong review down to the required length? The point is a review can be a struggle from start to finish. Like any skillful writing, it is not typing, it is thinking, and thinking can be a headache because it requires rigour.   The end   Endings can be difficult when a review or any other piece of writing for that matter just peters out. But, how to bring all those fascinating threads together, how to provide concluding comment that satisfies both writer and reader, and how to do it without being too neat, too simplistic? There’s no easy solution but I think it’s worth trying to resolve these questions, so here are eight things to think about when writing a review:   Say what you think it does and don’t be afraid if this is something entirely different to what a press release or interpretative text tells you and say whether it does do what it purports.   Say what you think the work/exhibition is trying to do, so make sure your review gives the reader an insight into the form the work takes on and its presentation.   Do not try and write about everything avoid your review becoming a list, try focusing in on key works/elements of a show that you think are most important.   Be aware of the views and assumptions of the exhibition’s curator and treat them as such, try to differentiate fact from opinion by avoiding ‘art language’ when everyday language will work just as well.   Make your review entertaining, a joy to read, rather than a challenge, because you are writing a review not an academic thesis, so help the reader get to the end.   Always self-edit and be prepared to be ruthless with your own words. Go back over your review, get rid of anything that isn’t needed or is vague or unclear. Brevity is good.   Fact-check. That means spelling names correctly, checking dates, etc. If an editor can’t trust your facts, why should they trust your opinions?   If you have an editor work with them, not against them, which means sticking within your word limit; following house style; hitting your deadline. Because editors aren’t always right, but they will appreciate your professionalism.